[12 March 2025 – 21 September 2025 Solo Exhibition at TETEM ] CAOS (2025) is an interactive glass installation that explores instability and vulnerability by inviting audiences into a constantly evolving environment that blurs the line between order and chaos.
[wordpremiere International Film Festival Rotterdam 2025] The kinetic sculptures of Rotterdam based visual artist Jeanine Verloop are literally captured in a different lens with CHIME – An Extended View. This debut film records the vibrating three-dimensional glass strings of Verloop’s eponymous installation in 1,000 frames per second. The striking results reveal the motions in installation that are invisible to perceive by the human eye. Condensing time like this, CHIME – An Extended View becomes a meditative reflection on our perfection of time, and the expansion of perceptual horizons through technology. – Hugo Emmerzael
Production residency CHIME spring 2024 at iii (instrument inventors initiative) in The Hague, The Netherlands. CHIME (2024) utilises the fragile and flexible nature of glass and resonance to generate movement. At the resonance frequency, the glass strings collide, producing a collective chorus of subtle chimes.
Impulses – 3×3 (2023) Verloop is exploring sensors and programming to create interactive glass sculptures. The project unfolds in two distinct phases: the exploration of sensors and programming, and the execution of three presentation experiments. The presentation experiments took place in the 3×3 format at V2_Lab For the Unstable Media on September 22, October 27, and November 24, 2023.
(2022) Artist-in-Residence at CYENS – Center of Excellence in Nicosia, Cyprus.
Evanescent (2022) is a kinetic printing installation that is almost entirely made of borosilicate glass. During exhibitions, this machine appears to be malfunctioning or on the verge of self-destruction. The glass gears and glass chains are in danger of getting stuck in twisted shapes, when the glass breaks, ink is released. The ink drips onto a canvas creating a print that records the destruction of the machine. Verloop sees these works as a deconstructive performance, in which the machine is the performer and she the assistant.
Symbiote (2021, 2023) “It is a machine that seems to destroy itself. The glass gears and glass chains threaten to get stuck in distorted forms and through this process ink is released. Verloop sees work as a deconstructive performance, adopting the role of assistant herself. The title refers to the intensive way in which we have collaborated with technology and have become dependent on the usefulness and efficiency. Verloop would like us to think about the impact that this symbiosis has on human’s imagination. ” – Mondriaan Fonds, Prospects catalogue
Multi Machine Performance (2019), the plotter knife replaced by pens and markers draws intricate designs and patterns with machine precision. The loud mechanic sounds generated by the plotter were picked up by a microphone and fed into a complex audiovisual feedback loop where sound was converted into image using hacked VGA cables and a signal stabilizer. The resulting signal was fed into the CRT monitor showing abstract RGB visuals that where a direct representation of the plotter sounds. This is a collaborative experiment created with Ciao Vita at Testsite Meent
Reawaken (2018) is a kinetic sculpture with 55 robotic arms, powered by 55 servo motors. The lowering of the arms causes an abstract print on paper.
Offset Press (2018), Analogue Printing Device. As Robert McLiam Wilson writes, in the introduction Wild at Heart for WilderMann, “Plugged in, neurotically wi-fi ed and G3d as we are, we yearn to re-establish contact with the actual, the primal, the old. We dream of something real, something unmitigated by the filter of profit-making portals and franchises. We want the as-was, the erstwhile. We languish for the non-mechanical and the pre- or post-industrial. We are pilgrims seeking the past, the genuine, the individual”
Antennas Theremin (2017), the Theremin is an early electronic musical instrument controlled without physical contact by the performer. Together with Merle Sibbel I explored making and using the theremin. This resulted in a series of antennas to put through and around the body. Our collection illustrates the weird and intimate role technology plays in our life.